1
00:00:02,903 --> 00:00:05,972
YULETIDE GREETINGS, MERRY, MERRY

2
00:00:06,039 --> 00:00:08,241
AND ALL THAT FOLDEROL.

3
00:00:08,308 --> 00:00:12,513
WELL, IF IT ISN'T THE
GRINCH WHO STOLE BREAKFAST.

4
00:00:12,579 --> 00:00:15,549
KYLE, I GOT SOME MISTLETOE
IN MY BACK POCKET.

5
00:00:15,616 --> 00:00:16,683
WHY DON'T

6
00:00:16,750 --> 00:00:18,251
YOU KISS MY ASS?

7
00:00:18,318 --> 00:00:19,820
JUST LIKE EVERY CHRISTMAS‐‐

8
00:00:19,886 --> 00:00:22,355
LATE FOR WORK AND
EARLY FOR DINNER.

9
00:00:22,422 --> 00:00:23,724
NOW, KHADIJAH

10
00:00:23,790 --> 00:00:27,293
MAX DID HANG THE STOCKINGS
BY THE CHIMNEY WITH CARE.

11
00:00:27,360 --> 00:00:29,395
HER DRYER IS BROKEN.

12
00:00:29,462 --> 00:00:31,832
THAT WAS HER LAUNDRY.

13
00:00:31,898 --> 00:00:34,067
THAT'S THE LAST TIME
I WASTE 15 MINUTES

14
00:00:34,134 --> 00:00:35,401
BUYING CHRISTMAS GIFTS

15
00:00:35,468 --> 00:00:36,903
FOR YOU GUYS.

16
00:00:36,970 --> 00:00:39,640
OH, INTEROFFICE MAIL ENVELOPES.

17
00:00:41,307 --> 00:00:45,946
WHEN YOU CARE ENOUGH TO
GIVE THE VERY LEAST.

18
00:00:46,012 --> 00:00:49,683
AH, A GIFT CERTIFICATE
TO O'MONARCH BURGER.

19
00:00:49,750 --> 00:00:53,720
I'M GOING TO GET THE
DELUXE DRAWBRIDGE DINNER.

20
00:00:53,787 --> 00:00:55,856
WELL, HOLD UP, SIR‐EAT‐A‐LOT.

21
00:00:55,922 --> 00:00:59,826
THE GIFT CERTIFICATE IS WORTH
A WHOPPING FIVE DOLLARS!

22
00:00:59,893 --> 00:01:02,603
MAX, I KNOW IT'S THE
THOUGHT THAT COUNTS

23
00:01:02,669 --> 00:01:05,171
BUT WHAT THE HELL
WERE YOU THINKING?

24
00:01:05,238 --> 00:01:06,707
WELL, YOU KNOW, I'M...

25
00:01:06,773 --> 00:01:08,708
I'M A LITTLE STRAPPED THIS YEAR.

26
00:01:08,775 --> 00:01:10,043
I SPENT ALL MY MONEY

27
00:01:10,110 --> 00:01:12,145
BUYING THOSE GIFT CERTIFICATES

28
00:01:12,212 --> 00:01:14,715
PLUS A LITTLE
SOMETHING FOR MYSELF.

29
00:01:16,082 --> 00:01:18,151
A TOP‐OF‐THE‐LINE MASSAGE CHAIR

30
00:01:18,218 --> 00:01:20,386
FROM THE HIGHER LIVING CATALOG.

31
00:01:26,527 --> 00:01:27,894
I'M WORKING LATE TOMORROW

32
00:01:27,961 --> 00:01:29,896
SO THEY'LL BE
DROPPING IT OFF HERE.

33
00:01:29,963 --> 00:01:31,898
MAKE SURE YOU TIP
THE DELIVERY MAN.

34
00:01:31,965 --> 00:01:34,635
NOW, YOU KNOW I'M A VEGETARIAN

35
00:01:34,701 --> 00:01:37,170
SO I CAN'T USE THESE COUPONS

36
00:01:37,237 --> 00:01:39,172
YOU CHRISTMAS HEIFER.

37
00:01:39,239 --> 00:01:42,242
HEY, STUFF YOUR
STOCKING WITH THIS.

38
00:01:42,308 --> 00:01:43,577
BREATH DROPS?

39
00:01:43,644 --> 00:01:46,412
DON'T WAIT TILL
CHRISTMAS TO USE THEM.

40
00:01:48,982 --> 00:01:51,685
♪ WE ARE LIVING ♪

41
00:01:51,752 --> 00:01:53,453
♪ SINGLE ♪

42
00:01:53,520 --> 00:01:55,989
♪ OOH, IN A '90s KIND OF WORLD ♪

43
00:01:56,056 --> 00:01:58,559
♪ I'M GLAD I GOT MY GIRLS ♪

44
00:01:58,625 --> 00:01:59,893
♪ KEEP YOUR HEAD UP ♪
♪ WHAT? ♪

45
00:01:59,960 --> 00:02:01,110
♪ KEEP YOUR HEAD UP ♪
♪ THAT'S RIGHT ♪

46
00:02:01,134 --> 00:02:02,414
♪ WHENEVER THIS
LIFE GETS TOUGH ♪

47
00:02:02,438 --> 00:02:03,570
♪ YOU GOT TO FIGHT WITH ♪

48
00:02:03,637 --> 00:02:05,517
♪ MY HOMEGIRL STANDING TO
MY LEFT AND MY RIGHT ♪

49
00:02:05,541 --> 00:02:07,307
♪ TRUE BLUE, IT'S
TIGHT LIKE GLUE ♪

50
00:02:07,373 --> 00:02:09,342
♪ CHECK, CHECK, CHECK IT OUT ♪

51
00:02:09,409 --> 00:02:11,144
♪ WE ARE LIVING SINGLE. ♪

52
00:02:11,211 --> 00:02:14,047
[Captioning sponsored by
FOX BROADCASTING COMPANY

53
00:02:14,114 --> 00:02:17,116
[and WARNER BROS. TELEVISION]

54
00:02:20,921 --> 00:02:22,923
KHADIJAH, CAN WE GET GOING, MAN?

55
00:02:22,989 --> 00:02:24,925
I'M SO HUNGRY I COULD GO TO K.
F. C.

56
00:02:24,991 --> 00:02:26,960
AND LICK OTHER PEOPLE'S FINGERS.

57
00:02:27,027 --> 00:02:27,961
REGINE.

58
00:02:28,028 --> 00:02:29,630
HI, CHARLES.

59
00:02:29,696 --> 00:02:32,365
CHARLES, WHAT ARE
YOU DOING HERE?

60
00:02:32,432 --> 00:02:33,700
I'VE GOT SOME GOOD NEWS.

61
00:02:33,767 --> 00:02:36,136
THE NEW YORK BOARD OF
PHYSICIANS IS GIVING ME

62
00:02:36,202 --> 00:02:38,104
THEIR TOP AWARD FOR
ANESTHESIOLOGY‐‐

63
00:02:38,171 --> 00:02:39,372
"THE NUMMY."

64
00:02:39,439 --> 00:02:40,874
WELL, CONGRATULATIONS, BABY.

65
00:02:40,941 --> 00:02:43,243
IT'S ABOUT TIME SOMEBODY
RECOGNIZED YOUR ABILITY

66
00:02:43,309 --> 00:02:44,678
TO PUT PEOPLE TO SLEEP.

67
00:02:44,745 --> 00:02:46,680
THE AWARDS BANQUET IS SATURDAY

68
00:02:46,747 --> 00:02:49,115
AT THE HOME OF THE
HOSPITAL DIRECTOR.

69
00:02:49,182 --> 00:02:51,985
AND THEY GAVE ME FOUR
TICKETS, REGINE.

70
00:02:52,052 --> 00:02:54,054
YOU'RE WELCOME TO JOIN US.

71
00:02:54,120 --> 00:02:57,257
A MEDICAL AWARDS CEREMONY
AT SOMEBODY'S HOUSE.

72
00:02:57,323 --> 00:03:00,734
OH, YOU KNOW, I THINK I
GOT SOMETHING THAT NIGHT.

73
00:03:00,801 --> 00:03:02,068
OH, RIGHT. A LIFE.

74
00:03:02,135 --> 00:03:03,236
WELL, COOL.

75
00:03:03,303 --> 00:03:06,072
CHARLES CAN GET HIS
NUMMY WITHOUT YOU.

76
00:03:06,139 --> 00:03:09,075
YOU JUST DO WHAT YOU
DID LAST SATURDAY‐‐

77
00:03:09,142 --> 00:03:10,911
FLIP THAT MATTRESS, GIRL.

78
00:03:10,977 --> 00:03:13,079
YOU WON THE NUMMY?

79
00:03:13,146 --> 00:03:15,215
MY SLEEP‐INDUCING BROTHER,
YOU HAVE ARRIVED.

80
00:03:15,281 --> 00:03:16,717
WHAT DO YOU KNOW

81
00:03:16,783 --> 00:03:17,984
ABOUT THE NUMMY?

82
00:03:18,051 --> 00:03:20,120
I USED TO DATE A NEUROSURGEON.

83
00:03:20,186 --> 00:03:23,323
I LEFT HER WHEN SHE STARTED
WORKING MY NERVES.

84
00:03:23,389 --> 00:03:25,626
HEY, I HAVE TWO EXTRA TICKETS.

85
00:03:25,692 --> 00:03:27,728
GOD BLESS YOU, DOCTOR MAN.

86
00:03:27,794 --> 00:03:30,931
THIS IS THE BLACK‐TIE
EVENT OF THE YEAR‐‐

87
00:03:30,997 --> 00:03:34,167
WALL‐TO‐WALL SOCIALITES
AND YOUNG TYCOONS

88
00:03:34,234 --> 00:03:35,401
LIGHTING CIGARS

89
00:03:35,468 --> 00:03:39,072
WITH THE CONTROVERSIAL
NEW $100 BILL.

90
00:03:39,139 --> 00:03:40,574
HEY, WAIT A MINUTE.

91
00:03:40,641 --> 00:03:42,108
HE SAID THE "NUMMY"

92
00:03:42,175 --> 00:03:44,444
NOT "RICH MEN WAITING FOR ME."

93
00:03:44,511 --> 00:03:46,780
RUSSELL, GIVE ME THEM TICKETS.

94
00:03:46,847 --> 00:03:48,114
IF ONLY I COULD

95
00:03:48,181 --> 00:03:51,885
BUT I MUST FIGURE
OUT WHO TO TAKE.

96
00:03:51,952 --> 00:03:53,854
TAKE ME.

97
00:03:55,856 --> 00:03:57,123
YOU HAVE NO IDEA

98
00:03:57,190 --> 00:04:00,066
HOW LONG I'VE WAITED
TO HEAR THOSE WORDS.

99
00:04:01,802 --> 00:04:03,069
ALL RIGHT, RUSSELL

100
00:04:03,136 --> 00:04:05,138
I WILL LET YOU
SERVE AS MY ESCORT

101
00:04:05,205 --> 00:04:07,841
PROVIDED THAT YOU DO
NOT SCRATCH, ADJUST

102
00:04:07,908 --> 00:04:10,844
AND DON'T DRINK DIRECTLY
FROM THE PUNCH BOWL.

103
00:04:10,911 --> 00:04:12,779
NOW, ABOUT YOUR ATTIRE...

104
00:04:12,846 --> 00:04:15,048
HOLD ON, NOW, BUSTY AND BEGGING.

105
00:04:16,550 --> 00:04:18,519
IF YOU GET TO CHOOSE MY WARDROBE

106
00:04:18,585 --> 00:04:20,253
THEN I GET TO CHOOSE YOURS.

107
00:04:20,320 --> 00:04:22,589
FIRST OFF, THIS IS
NOT BRA WEATHER.

108
00:04:24,290 --> 00:04:26,527
KHADIJAH, LET'S NOT
GO TO THIS THING.

109
00:04:26,593 --> 00:04:28,995
I HATE HANGING OUT
WITH SOCIETY PEOPLE.

110
00:04:29,062 --> 00:04:31,197
YOU SHOULD BE USED TO IT BY NOW.

111
00:04:31,264 --> 00:04:32,744
YOUR MOTHER WAS A
LIEUTENANT GOVERNOR.

112
00:04:32,799 --> 00:04:34,233
YOUR FATHER'S AN AMBASSADOR.

113
00:04:34,300 --> 00:04:35,602
I LOVE MY PARENTS

114
00:04:35,669 --> 00:04:38,972
BUT I SPENT MOST OF MY LIFE
AVOIDING THEIR FRIENDS.

115
00:04:39,038 --> 00:04:40,874
THOSE PEOPLE ARE THE OPPOSITE

116
00:04:40,941 --> 00:04:42,909
OF EVERYTHING I'VE TRIED TO BE.

117
00:04:42,976 --> 00:04:46,813
I PUT MYSELF THROUGH SCHOOL, I
WORK AT A COMMUNITY HOSPITAL

118
00:04:46,880 --> 00:04:50,016
AND THE ONLY CLUB I BELONG
TO IS THE PRICE CLUB.

119
00:04:50,083 --> 00:04:51,518
OH, BABY, I UNDERSTAND

120
00:04:51,585 --> 00:04:54,087
BUT YOU CAN'T LET
THOSE PEOPLE STOP YOU

121
00:04:54,154 --> 00:04:56,189
FROM GETTING WHAT'S YOURS.

122
00:04:56,256 --> 00:04:59,025
I DON'T LIKE THE PEOPLE
AT THE WAFFLE BARN

123
00:04:59,092 --> 00:05:01,067
BUT I STILL GETS MY BREAKFAST.

124
00:05:01,134 --> 00:05:02,936
ALL RIGHT, I HEAR YOU.

125
00:05:03,003 --> 00:05:05,038
WE'LL GO, GRAB MY AWARD

126
00:05:05,105 --> 00:05:07,608
EAT SOME GOOSE LIVER AND VENISON

127
00:05:07,674 --> 00:05:09,342
AND CALL IT A NIGHT.

128
00:05:09,409 --> 00:05:10,911
GOOSE LIVER AND VENISON?

129
00:05:10,977 --> 00:05:12,178
MM‐HMM.

130
00:05:12,245 --> 00:05:14,748
WE HITTING THE WAFFLE
BARN ON THE WAY HOME.

131
00:05:14,815 --> 00:05:18,885
I ALWAYS WANTED TO GIVE
MAXINE AN ELECTRIC CHAIR.

132
00:05:18,952 --> 00:05:22,689
I'LL BE DAMNED IF SHE
DIDN'T BEAT ME TO IT.

133
00:05:22,756 --> 00:05:24,991
THIS IS WORSE THAN THE CAKE

134
00:05:25,058 --> 00:05:27,728
SHE GAVE HERSELF ON MY BIRTHDAY.

135
00:05:27,794 --> 00:05:31,832
MERRY DAMN CHRISTMAS,
THAT'S WHAT I GOT TO SAY.

136
00:05:31,898 --> 00:05:33,333
LET'S NOT BE TOO HARSH.

137
00:05:33,399 --> 00:05:36,703
MAX GAVE THE CHAIR TO HERSELF,
BUT SHE HAD IT DELIVERED HERE.

138
00:05:36,770 --> 00:05:39,005
OBVIOUSLY, SHE WANTS
US TO ENJOY IT TOO.

139
00:05:39,072 --> 00:05:40,340
CHECK THIS OUT.

140
00:05:40,406 --> 00:05:41,875
"FROM MAX TO MAX.

141
00:05:41,942 --> 00:05:44,277
"P.S. STOP READING MY CARD

142
00:05:44,344 --> 00:05:47,413
AND KEEP YOUR CHEEKS
OFF MY CHAIR."

143
00:05:47,480 --> 00:05:49,415
OH! OKAY, THAT'S IT.

144
00:05:49,482 --> 00:05:50,884
FIRE IT UP, OBIE.

145
00:05:50,951 --> 00:05:52,786
I'M GOING FOR A RIDE.

146
00:05:53,954 --> 00:05:55,221
IT'S JUST A CHAIR.

147
00:05:55,288 --> 00:05:57,390
ALL RIGHT, TRY SOME
OF THIS RIGHT HERE.

148
00:05:57,457 --> 00:05:58,625
OH!

149
00:06:01,234 --> 00:06:02,368
OH...

150
00:06:02,435 --> 00:06:05,238
OBIE, I THINK I'M
CHEATING ON YOU.

151
00:06:08,208 --> 00:06:10,677
HERE, BABY.

152
00:06:10,744 --> 00:06:13,046
MOMMY'S HERE TO TAKE YOU HOME.

153
00:06:13,113 --> 00:06:14,515
SYNCLAIRE, GET UP.

154
00:06:14,581 --> 00:06:15,916
GET OFF. COME ON.

155
00:06:15,982 --> 00:06:18,885
ALL RIGHT, OVERTON,
GO GET YOUR DOLLY

156
00:06:18,952 --> 00:06:21,955
SO I CAN GET MY BABY
ACROSS THE STREET.

157
00:06:22,022 --> 00:06:24,891
OH, I LEFT MY DOLLY IN THE VAN

158
00:06:24,958 --> 00:06:27,227
AND I LEFT MY VAN, UM...

159
00:06:27,293 --> 00:06:30,597
UH, WHERE DID I
LEAVE MY VAN, MAMA?

160
00:06:30,664 --> 00:06:32,799
PORTUGAL.

161
00:06:32,866 --> 00:06:34,568
OH, I SEE WHAT'S GOING ON.

162
00:06:34,635 --> 00:06:35,902
WELL, FORGET YOU.

163
00:06:35,969 --> 00:06:38,104
KYLE...

164
00:06:38,171 --> 00:06:39,906
COME ON, BROTHER.

165
00:06:39,973 --> 00:06:42,008
HOOK A SISTER UP.

166
00:06:42,075 --> 00:06:46,212
MAXINE, OUR CONSTANT
BICKERING NOTWITHSTANDING

167
00:06:46,279 --> 00:06:49,683
I REALLY DO HATE SEEING
YOU IN DIRE STRAITS.

168
00:06:49,750 --> 00:06:51,985
SO LET'S JUST SIT BACK, RELAX

169
00:06:52,052 --> 00:06:55,188
AND TRY TO THINK OF A
SOLUTION, SHALL WE?

170
00:06:55,255 --> 00:06:57,190
( Sighs )

171
00:06:57,257 --> 00:06:58,859
I GOT...!

172
00:06:58,925 --> 00:07:00,266
NO. LOST IT.

173
00:07:02,368 --> 00:07:04,538
WHERE'S RUSSELL?

174
00:07:04,605 --> 00:07:06,472
RUSSELL IS PROBABLY
STILL AT HOME

175
00:07:06,540 --> 00:07:07,874
TRYING TO FIGURE OUT

176
00:07:07,941 --> 00:07:10,877
WHICH CLIP‐ON TIE GOES BEST
WITH HIS BERMUDA SHORTS.

177
00:07:16,082 --> 00:07:18,051
EITHER DONALD TRUMP IS NAKED

178
00:07:18,118 --> 00:07:20,153
AND TIED UP IN A BROOM CLOSET

179
00:07:20,220 --> 00:07:21,822
OR I PAY YOU TOO MUCH.

180
00:07:21,888 --> 00:07:23,489
SORRY I'M LATE, REGINE

181
00:07:23,557 --> 00:07:25,258
BUT IT TOOK A LONG TIME

182
00:07:25,325 --> 00:07:27,661
TO FIND ORCHIDS BEAUTIFUL ENOUGH

183
00:07:27,728 --> 00:07:29,663
TO BE WORTHY OF YOUR BOSOM.

184
00:07:29,730 --> 00:07:31,898
MAY I PIN THIS ON YOU? PLEASE.

185
00:07:31,965 --> 00:07:33,634
RUSSELL...

186
00:07:33,700 --> 00:07:35,736
I'M TOUCHED...

187
00:07:35,802 --> 00:07:38,839
BUT NOT BY YOUR CLAMMY MITTS.

188
00:07:38,905 --> 00:07:41,942
OKAY, GET YOUR
CUMMERBUNDS IN THERE.

189
00:07:42,008 --> 00:07:43,409
OH, ALL RIGHT.

190
00:07:48,515 --> 00:07:51,451
ISN'T SOMEONE SUPPOSED
TO ANNOUNCE US?

191
00:07:51,518 --> 00:07:53,086
LADIES AND GENTLEMEN

192
00:07:53,153 --> 00:07:56,422
THE EIGHTH AND NINTH
WONDERS OF THE WORLD.

193
00:07:57,958 --> 00:07:59,225
YOU KNOW WHAT?

194
00:07:59,292 --> 00:08:01,001
THAT'S IT, RUSSELL.

195
00:08:01,067 --> 00:08:04,370
EVEN IN A TUX, MAN,
YOU'RE A PERVERT.

196
00:08:04,437 --> 00:08:08,141
OH, I'VE GRADUATED
FROM SICKO TO PERVERT.

197
00:08:08,208 --> 00:08:09,843
NEXT STOP, GROOM.

198
00:08:09,910 --> 00:08:12,145
BRITTANY, DO MY EYES DECEIVE ME

199
00:08:12,212 --> 00:08:14,047
OR IS THAT THE NUMMY MAN?

200
00:08:14,114 --> 00:08:15,215
MARK, BRITTANY.

201
00:08:15,281 --> 00:08:17,684
WELL, THIS IS KHADIJAH.

202
00:08:17,751 --> 00:08:19,753
KHADIJAH. WHAT A CHARMING NAME.

203
00:08:19,820 --> 00:08:21,287
IT'S ETHNIC, ISN'T IT?

204
00:08:21,354 --> 00:08:22,488
YES.

205
00:08:22,556 --> 00:08:25,759
BOTH MY PARENTS ARE ETHNIC.

206
00:08:25,826 --> 00:08:28,428
TEN TO ONE YOU'RE A VASSAR GIRL.

207
00:08:28,494 --> 00:08:30,330
NO, ACTUALLY, I WENT TO HOWARD.

208
00:08:30,396 --> 00:08:32,533
OH, HOW ADORABLE.

209
00:08:32,599 --> 00:08:35,101
GO ON, SISTER GIRL.

210
00:08:36,837 --> 00:08:39,105
I THINK I WILL GO ON.

211
00:08:39,172 --> 00:08:41,508
RIGHT NOW. EXCUSE ME.

212
00:08:43,744 --> 00:08:45,779
KHADIJAH IS THE
PUBLISHER OF <i>FLAVOR.</i>

213
00:08:45,846 --> 00:08:48,949
IT'S THE NUMBER ONE URBAN
MAGAZINE IN THE AREA.

214
00:08:49,015 --> 00:08:50,617
OH. OH.

215
00:08:50,684 --> 00:08:51,985
URBAN. URBAN.

216
00:08:52,052 --> 00:08:55,121
DID WE TELL YOU BRETT
AND PENELOPE BROKE UP?

217
00:08:55,188 --> 00:08:58,058
PENELOPE HAS ALWAYS
HAD AN EYE FOR YOU.

218
00:08:58,124 --> 00:08:59,660
MM‐‐ AND SHE JUST HAD LIPO

219
00:08:59,726 --> 00:09:01,902
TO GET RID OF HER THIRD CHIN.

220
00:09:08,108 --> 00:09:10,376
I DIDN'T KNOW THEY
HAD YOO‐HOOS HERE.

221
00:09:10,443 --> 00:09:12,145
THEY DO WHEN YOU LIVE HERE.

222
00:09:12,212 --> 00:09:14,014
BOOKER BURGHARDT MOUNTEBANK.

223
00:09:14,080 --> 00:09:16,082
KHADIJAH JAMES.

224
00:09:16,149 --> 00:09:18,051
NICE SLIPPERS.

225
00:09:18,118 --> 00:09:19,586
TELL THAT TO MY WIFE.

226
00:09:19,653 --> 00:09:21,021
SHE'S STILL CRANKY

227
00:09:21,087 --> 00:09:24,290
ABOUT THE BATHROBE I WORE
TO OUR DAUGHTER'S WEDDING.

228
00:09:24,357 --> 00:09:26,359
WANT A YUMMY DOODLE?

229
00:09:26,426 --> 00:09:27,626
FOR A WORLD‐FAMOUS CARDIOLOGIST

230
00:09:27,650 --> 00:09:29,863
YOU SURE ARE INHALING
SOME SNACK FOOD.

231
00:09:29,930 --> 00:09:31,097
DON'T WORRY.

232
00:09:31,164 --> 00:09:34,535
I'VE FIGURED OUT A WAY
TO GIVE MYSELF C. P. R.

233
00:09:34,601 --> 00:09:36,102
WELL, IF YOU'D EXCUSE ME

234
00:09:36,169 --> 00:09:38,038
I GOT TO GET BACK TO MY DATE.

235
00:09:38,104 --> 00:09:41,041
HE'S DANGEROUSLY CLOSE
TO THE EMERGENCY EXIT.

236
00:09:41,107 --> 00:09:43,309
WHO'S THE LUCKY YOUNG MAN

237
00:09:43,376 --> 00:09:45,512
THAT HAD THE GOOD SENSE
AND GREAT FORTUNE

238
00:09:45,579 --> 00:09:46,947
TO ESCORT YOU HERE?

239
00:09:47,013 --> 00:09:48,314
DR. CHARLES ROBERTS.

240
00:09:48,381 --> 00:09:49,550
GOOD MAN.

241
00:09:49,616 --> 00:09:53,053
NEVER KNEW ANYONE MORE
DESERVING OF A NUMMY.

242
00:09:53,119 --> 00:09:55,488
YOU KNOW, IT SURE WOULD BE NICE

243
00:09:55,556 --> 00:09:58,358
TO TOAST HIM WITH
A CHOCOLATE SODA.

244
00:10:01,167 --> 00:10:04,137
IF THIS DOESN'T MAKE
YOU FEEL BETTER

245
00:10:04,204 --> 00:10:06,239
CONSULT YOUR PHYSICIAN.

246
00:10:14,214 --> 00:10:15,749
THANK YOU, MELANIE...

247
00:10:15,816 --> 00:10:17,551
ALTHEA...

248
00:10:17,618 --> 00:10:19,085
COMMISSIONER.

249
00:10:20,754 --> 00:10:23,790
RUSSELL, HOW DO YOU
KNOW THESE PEOPLE?

250
00:10:23,857 --> 00:10:26,392
MY SECOND WIFE WAS A BLUE BLOOD.

251
00:10:26,459 --> 00:10:27,994
OR WAS IT MY THIRD?

252
00:10:28,061 --> 00:10:29,663
I GET THEM CONFUSED.

253
00:10:29,730 --> 00:10:32,198
IT WAS A PRETTY CRAZY SUMMER.

254
00:10:32,265 --> 00:10:36,737
RUSSELL, HOW COME YOU HAVEN'T
BEEN INTRODUCING ME AROUND?

255
00:10:36,803 --> 00:10:41,207
'CAUSE I'M A SENSITIVE MAN
AND YOU CALLED ME A PERVERT.

256
00:10:41,274 --> 00:10:42,776
I'M SORRY.

257
00:10:42,843 --> 00:10:44,778
NO. TOO LITTLE, TOO LATE.

258
00:10:44,845 --> 00:10:47,047
JUST WALK AWAY.

259
00:10:47,113 --> 00:10:51,317
AH, AH, PUT A LITTLE
SHIMMY IN IT.

260
00:10:53,453 --> 00:10:56,189
KHADIJAH, I WAS
JUST TELLING ALISON

261
00:10:56,256 --> 00:10:58,224
ABOUT YOUR LITTLE FLAVOR
MAGAZINE PROJECT.

262
00:10:58,291 --> 00:11:00,426
OH, IT'S JUST A LITTLE HOBBY

263
00:11:00,493 --> 00:11:03,637
THAT'S GOTTEN ME FOUR
JOURNALISM AWARDS.

264
00:11:03,704 --> 00:11:05,038
CAN I HAVE A COPY?

265
00:11:05,105 --> 00:11:07,440
I SPONSOR A YOUNGSTER IN BELIZE

266
00:11:07,508 --> 00:11:10,110
AND HE'LL REAL
ANYTHING IN ENGLISH.

267
00:11:10,176 --> 00:11:12,445
ALISON, DON'T INSULT THE WOMAN.

268
00:11:12,513 --> 00:11:15,248
I'M SURE SHE NEEDS
EVERY COPY SHE HAS

269
00:11:15,315 --> 00:11:16,650
FOR THE HOOD.

270
00:11:19,185 --> 00:11:20,521
OH, EXCUSE US.

271
00:11:22,322 --> 00:11:25,792
GREETINGS ALL, AND WELCOME
TO MY RUMPUS ROOM.

272
00:11:25,859 --> 00:11:27,828
THIS YEAR'S NUMMY
AWARD RECIPIENT

273
00:11:27,894 --> 00:11:29,763
IS LIKE THE SON I'VE NEVER HAD

274
00:11:29,830 --> 00:11:32,533
WHICH, OF COURSE, SAVED
ME A BUNDLE IN TUITION.

275
00:11:32,599 --> 00:11:36,236
PLEASE, WELCOME DR.
CHARLES ROBERTS.

276
00:11:40,073 --> 00:11:44,210
WHEN I FIRST HEARD I WAS
RECEIVING THIS AWARD

277
00:11:44,277 --> 00:11:46,880
I WAS THRILLED AND HONORED.

278
00:11:47,981 --> 00:11:51,417
THEN I FOUND OUT THAT IT
COMES FROM A GROUP OF PEOPLE

279
00:11:51,484 --> 00:11:53,754
THAT TREAT ANYBODY
WITHOUT A PEDIGREE

280
00:11:53,820 --> 00:11:55,656
LIKE SOME EXHIBIT IN A ZOO.

281
00:11:55,722 --> 00:11:57,758
( Crowd murmuring )

282
00:11:57,824 --> 00:12:00,701
FORGIVE ME. I'M, UH, RAMBLING.

283
00:12:00,767 --> 00:12:02,703
SO, IN CONCLUSION...

284
00:12:02,769 --> 00:12:05,572
TAKE YOUR AWARD AND SHOVE IT.

285
00:12:07,473 --> 00:12:11,411
AND, OH‐‐ I WOULD LIKE TO
THANK GOD AND MY MOTHER.

286
00:12:16,249 --> 00:12:17,518
RUSSELL‐‐

287
00:12:17,584 --> 00:12:19,786
THIS IS A THANK‐YOU
BASKET OF PRESERVES

288
00:12:19,853 --> 00:12:22,122
THAT WE LADIES OF PRIVILEGE

289
00:12:22,188 --> 00:12:23,924
BESTOW UPON SOMEONE WHO
HAS DONE US A FAVOR.

290
00:12:24,591 --> 00:12:28,161
MAY I SMEAR SOME JAM
UPON YOU IN RETURN?

291
00:12:28,228 --> 00:12:30,831
AFTER I REALIZED THAT
YOU WERE WELL‐CONNECTED

292
00:12:30,897 --> 00:12:33,834
I BEGAN TO MENTION YOUR
NAME, AND BEFORE I KNEW IT

293
00:12:33,900 --> 00:12:37,270
I HAD AN INVITATION TO DINE
WITH ALISON AND HER FRIENDS.

294
00:12:37,337 --> 00:12:39,806
AND AS WE ALL KNOW,
LADIES WHO LUNCH

295
00:12:39,873 --> 00:12:41,875
KNOW THE MEN WHO BUY DINNER.

296
00:12:41,942 --> 00:12:43,276
DON'T, REGINE.

297
00:12:43,343 --> 00:12:45,278
THOSE WOMEN ARE SHARKS.

298
00:12:45,345 --> 00:12:48,615
THEY'LL EAT YOU ALIVE
AND SPIT UP YOUR WIG.

299
00:12:48,682 --> 00:12:52,152
I'M TELLING YOU, THOSE
ARE SKINNY, EVIL WOMEN.

300
00:12:52,218 --> 00:12:55,488
YOU HEARD HOW THEY ATTACKED
CHARLES AND KHADIJAH.

301
00:12:55,556 --> 00:12:57,157
WHO WAS ATTACKING CHARLES?

302
00:12:57,223 --> 00:12:59,425
AND WHO THE HELL
WAS ATTACKING ME?

303
00:12:59,492 --> 00:13:01,401
REGINE'S LUNCH BUDDIES.

304
00:13:01,467 --> 00:13:03,504
TELL HER, LADY MARMALADE.

305
00:13:03,570 --> 00:13:05,706
ALL RIGHT, SPILL IT.

306
00:13:05,772 --> 00:13:07,373
I‐IT WAS NOTHING REALLY.

307
00:13:07,440 --> 00:13:10,243
I MEAN, IT WAS JUST A
FEW INNOCENT COMMENTS

308
00:13:10,310 --> 00:13:12,946
ABOUT... HOW CHARLES
DESTROYED HIS CAREER

309
00:13:13,013 --> 00:13:15,649
AND HOW HE'LL HAVE TO
TRADE IN HIS SCRUBS

310
00:13:15,716 --> 00:13:17,918
FOR A SQUEEGEE AND
SOME NEWSPAPER.

311
00:13:17,984 --> 00:13:19,853
CHARLES HAD EVERY RIGHT

312
00:13:19,920 --> 00:13:21,154
TO TELL OFF THAT BOURGIE CROWD.

313
00:13:21,221 --> 00:13:23,156
KHADIJAH, WE ARE TALKING

314
00:13:23,223 --> 00:13:27,193
ABOUT VERY POWERFUL AND
INFLUENTIAL PEOPLE, HONEY.

315
00:13:27,260 --> 00:13:29,796
I MEAN, PEOPLE WHO
HOLD CHARLES'S CAREER

316
00:13:29,863 --> 00:13:31,497
IN THE PALM OF THEIR HANDS

317
00:13:31,565 --> 00:13:33,433
AND HE TOLD THEM TO SHOVE IT.

318
00:13:33,499 --> 00:13:36,670
WHY DID WE HAVE TO GO TO
THAT STUPID PARTY, ANYWAY?

319
00:13:36,737 --> 00:13:38,939
MM‐MM, GIRL.

320
00:13:39,005 --> 00:13:40,565
YOU KNOW THAT YOU
TALKED HIM INTO GOING.

321
00:13:40,589 --> 00:13:43,109
DO YOU REALLY THINK THEY
CAN RUIN CHARLES'S CAREER?

322
00:13:43,176 --> 00:13:44,344
SWEETIE...

323
00:13:44,410 --> 00:13:46,913
THESE PEOPLE ARE SHALLOW

324
00:13:46,980 --> 00:13:50,551
THEY'RE PATRONIZING,
THEY'RE VINDICTIVE.

325
00:13:50,617 --> 00:13:53,887
OH, AND I'M LATE FOR
LUNCH WITH THEM.

326
00:13:53,954 --> 00:13:55,221
SMOOCHES.

327
00:13:57,891 --> 00:14:00,160
♪ TAKE THE CHAIR
WITH MY OWN DOLLY ♪

328
00:14:00,226 --> 00:14:03,369
♪ FA‐LA‐LA‐LA‐LA YOU
CAN'T BEAT MAX. ♪

329
00:14:09,543 --> 00:14:11,377
( Groans )

330
00:14:11,912 --> 00:14:13,213
HEY...

331
00:14:13,279 --> 00:14:15,682
WHAT THE FREAK DID
YOU DO TO MY CHAIR?

332
00:14:15,749 --> 00:14:17,217
TECHNICALLY, NOTHING.

333
00:14:17,283 --> 00:14:19,586
WE DID, HOWEVER,
DRILL FIVE HOLES

334
00:14:19,653 --> 00:14:21,988
AND KIND OF BOLT
IT TO THE FLOOR.

335
00:14:22,055 --> 00:14:24,625
ALL RIGHT. OKAY, UNBOLT
THIS THING RIGHT NOW.

336
00:14:24,691 --> 00:14:27,160
I'M A LAWYER, AND THAT
IS MALICIOUS BOLTING

337
00:14:27,227 --> 00:14:28,461
WITH INTENT TO SCREW.

338
00:14:28,529 --> 00:14:30,363
OH, MAX, PLEASE. YOU OWE US.

339
00:14:30,430 --> 00:14:33,600
YOU'VE BEEN RAIDING OUR
REFRIGERATOR FOR YEARS

340
00:14:33,667 --> 00:14:35,235
WATCHING OUR TELEVISION

341
00:14:35,301 --> 00:14:37,771
AND I DO BELIEVE
THOSE ARE MY SOCKS.

342
00:14:37,838 --> 00:14:39,039
IN OTHER WORDS

343
00:14:39,105 --> 00:14:41,374
THIS IS A LITTLE THING CALLED

344
00:14:41,441 --> 00:14:43,009
"TIT FOR TAT."

345
00:14:43,076 --> 00:14:45,045
TALK TO HER, TAT.

346
00:14:45,111 --> 00:14:48,014
ASSUMING THAT EACH MASSAGE
IS WORTH A DOLLAR

347
00:14:48,081 --> 00:14:49,616
AT 20 MASSAGES PER WEEK

348
00:14:49,683 --> 00:14:52,753
YOU SHOULD PAY OFF YOUR
DEBT TO THIS HOUSEHOLD

349
00:14:52,819 --> 00:14:55,556
IN EXACTLY FOUR MONTHS
AND THREE DAYS.

350
00:14:55,622 --> 00:14:57,157
ALL RIGHT.

351
00:14:57,223 --> 00:15:00,901
THIS ROUND GOES TO
SATAN'S HELPERS.

352
00:15:00,967 --> 00:15:04,905
BUT BE WARNED‐‐
SATAN OWES ME BIG.

353
00:15:04,971 --> 00:15:06,940
ALL RIGHT NOW, YOU SEE THIS?

354
00:15:07,007 --> 00:15:09,676
WE NEVER SHOULD HAVE
DONE THIS, GUYS.

355
00:15:09,743 --> 00:15:11,211
YOU KNOW, THIS IS CHRISTMAS.

356
00:15:11,277 --> 00:15:13,179
WE'RE SUPPOSED TO
LOVE ONE ANOTHER.

357
00:15:13,246 --> 00:15:16,316
I MEAN, MAYBE WE SHOULD GIVE
THIS CHAIR BACK, YOU KNOW?

358
00:15:16,382 --> 00:15:17,551
ALL RIGHT, THAT'S IT.

359
00:15:17,618 --> 00:15:20,020
WE SHOULD DEFINITELY
GIVE THIS CHAIR BACK.

360
00:15:20,086 --> 00:15:21,722
OH, OH, OH, MY BACK.

361
00:15:21,788 --> 00:15:22,956
OH, THIS IS...

362
00:15:23,023 --> 00:15:26,326
OH, HEAVEN MUST BE
MISSING AN EASY CHAIR.

363
00:15:26,392 --> 00:15:27,661
( Chuckling )

364
00:15:27,728 --> 00:15:29,129
SO YOU UNDERSTAND, DOC.

365
00:15:29,195 --> 00:15:32,232
THOSE PEOPLE WERE DISRESPECTING
ME AND CHARLES ALL NIGHT.

366
00:15:32,298 --> 00:15:34,935
I MUST SAY, IT'S REFRESHING
TO SEE A YOUNG MAN

367
00:15:35,001 --> 00:15:37,303
SHOW SO MUCH PASSION
FOR HIS PRINCIPLES.

368
00:15:37,370 --> 00:15:38,839
TOO MANY PEOPLE YOUR AGE

369
00:15:38,905 --> 00:15:41,542
ONLY CARE ABOUT BIG
HOUSES AND FANCY CARS.

370
00:15:41,608 --> 00:15:42,676
( Intercom buzzing )

371
00:15:42,743 --> 00:15:43,944
Woman: Dr. Mountebank?

372
00:15:44,010 --> 00:15:46,412
The service is here to
wash your Rolls‐Royce.

373
00:15:47,280 --> 00:15:50,316
IT CAME WITH THE HOUSE.

374
00:15:50,383 --> 00:15:52,152
IS THERE ANY WAY
YOU CAN MAKE SURE

375
00:15:52,218 --> 00:15:54,788
CHARLES HASN'T RUINED HIS
REP WITH THE BIGWIGS?

376
00:15:54,855 --> 00:15:59,425
I'M SURE I CAN ASSUAGE THE
HURT FEELINGS OF THE BIGWIGS.

377
00:15:59,492 --> 00:16:03,570
IF NOT, I'LL... GET THEM
DRUNK AND TAKE PICTURES.

378
00:16:03,637 --> 00:16:05,506
OH, NO.

379
00:16:05,572 --> 00:16:08,241
EXCUSE ME, DR. MOUNTEBANK.

380
00:16:08,308 --> 00:16:10,176
KHADIJAH, WHAT'S GOING ON?

381
00:16:10,243 --> 00:16:12,245
BOOKER IS GOING TO
TALK TO THE PEOPLE

382
00:16:12,312 --> 00:16:14,114
AND MAKE SURE
EVERYTHING IS COOL.

383
00:16:14,180 --> 00:16:15,749
I DON'T GIVE A DAMN ABOUT THEM.

384
00:16:15,816 --> 00:16:18,451
I CARE ABOUT YOU TALKING
TO MY BOSS BEHIND MY BACK.

385
00:16:18,519 --> 00:16:20,020
I'LL JUST BE OVER HERE.

386
00:16:20,086 --> 00:16:21,722
THAT'S THE THANKS I GET

387
00:16:21,788 --> 00:16:24,858
FOR COMING UP HERE TO SAVE
YOUR UNGRATEFUL BEHIND?

388
00:16:24,925 --> 00:16:27,728
QUEEN TAKES KNIGHT.

389
00:16:27,794 --> 00:16:29,495
I DON'T NEED YOU TO SAVE ME.

390
00:16:29,563 --> 00:16:31,998
IF THE ONLY WAY TO
ADVANCE IN MY CAREER

391
00:16:32,065 --> 00:16:34,234
IS TO BE PHONY, THEN FORGET IT.

392
00:16:34,300 --> 00:16:35,702
SO, WHAT DOES THAT MAKE ME?

393
00:16:35,769 --> 00:16:36,837
A SELL‐OUT?

394
00:16:36,903 --> 00:16:38,138
( Sighs )

395
00:16:38,204 --> 00:16:40,674
LOOK, I DON'T HAVE
TIME FOR THIS.

396
00:16:40,741 --> 00:16:43,910
I HAVE TO GO RENDER
SOMEBODY UNCONSCIOUS.

397
00:16:45,612 --> 00:16:47,714
YOUNG MAN HAS A
SERIOUS PROBLEM‐‐

398
00:16:47,781 --> 00:16:48,982
LOW BLOOD SUGAR.

399
00:16:49,049 --> 00:16:52,385
I THINK HE SHOULD HAVE
'ROUND‐THE‐CLOCK FUDGE.

400
00:16:54,655 --> 00:16:58,959
I LIKE MY INTERIOR LATEX
SHAKEN, NOT STIRRED.

401
00:17:02,335 --> 00:17:03,436
OKAY, DUTCH BOY

402
00:17:03,504 --> 00:17:05,872
GET YOUR CAN OUT OF THAT CHAIR.

403
00:17:07,974 --> 00:17:09,375
DAMN THAT CHARLES.

404
00:17:09,442 --> 00:17:12,345
I CAN'T BELIEVE HOW
UNGRATEFUL HE IS.

405
00:17:12,412 --> 00:17:15,549
WELL, SINCE THE SUBWAY RIDE
HOME DIDN'T HELP YOUR MOOD

406
00:17:15,616 --> 00:17:17,684
MAYBE MY COLORFUL
LITTLE FABLE WILL.

407
00:17:17,751 --> 00:17:19,485
YOU JUST SIT BACK AND RELAX.

408
00:17:20,721 --> 00:17:22,055
( Clears throat )

409
00:17:22,122 --> 00:17:25,626
SOMETIMES WHEN YOU REALLY
CARE ABOUT SOMEONE

410
00:17:25,692 --> 00:17:28,595
IT'S DIFFICULT TO
TELL THE DIFFERENCE

411
00:17:28,662 --> 00:17:32,365
BETWEEN HAVING THEIR BACK
AND GOING BEHIND IT.

412
00:17:32,432 --> 00:17:34,367
THAT'S IT?

413
00:17:34,434 --> 00:17:35,736
NO BEARS?

414
00:17:35,802 --> 00:17:39,005
NO PERPETRATING WOLF?

415
00:17:39,072 --> 00:17:41,441
IT WAS LONG, SO I CUT
STRAIGHT TO THE MORAL.

416
00:17:41,508 --> 00:17:43,544
WHAT ARE YOU SAYING‐‐
I'M WRONG HERE?

417
00:17:43,610 --> 00:17:44,778
MAYBE NOT YOU

418
00:17:44,845 --> 00:17:46,479
BUT THE WELL‐MEANING GOOSE

419
00:17:46,547 --> 00:17:47,914
I CUT FROM THE FABLE.

420
00:17:47,981 --> 00:17:50,450
SHE TRIED TO HELP HER
FRIEND, THE BEAVER

421
00:17:50,517 --> 00:17:52,385
KEEP HIS ANESTHESIOLOGY AWARD

422
00:17:52,452 --> 00:17:53,787
BUT HE DIDN'T WANT IT

423
00:17:53,854 --> 00:17:56,657
BECAUSE IT CAME FROM SOME
BAD, SNOOTY BEAVERS.

424
00:17:56,723 --> 00:17:58,224
I KNOW WHAT YOU'RE SAYING.

425
00:17:58,291 --> 00:18:00,400
SEE, THE BEAVER
HERE REPRESENTS...

426
00:18:00,466 --> 00:18:02,235
I GOT IT!

427
00:18:03,837 --> 00:18:05,539
MAYBE I SHOULD TALK TO CHARLES.

428
00:18:05,606 --> 00:18:06,873
( Doorbell ringing )

429
00:18:06,940 --> 00:18:10,043
WHY, I WONDER WHO THAT COULD BE?

430
00:18:12,713 --> 00:18:14,080
CHARLES!

431
00:18:14,147 --> 00:18:16,216
WHAT A SURPRISE.

432
00:18:16,282 --> 00:18:18,084
MAYBE I KIND OF
CALLED HIM FOR YOU.

433
00:18:20,086 --> 00:18:21,822
YOU WANTED TO SEE ME?

434
00:18:21,888 --> 00:18:25,659
NO, SYNCLAIRE AND OVERTON
WANTED YOU TO SEE ME.

435
00:18:25,726 --> 00:18:27,594
GOOD. THEY'RE OPENING
UP A DIALOGUE.

436
00:18:27,661 --> 00:18:28,895
YOU THINK THEY COULD HAVE

437
00:18:28,962 --> 00:18:30,631
THEIR DIALOGUE IN THE OTHER ROOM

438
00:18:30,697 --> 00:18:32,032
SO I COULD USE THAT CHAIR?

439
00:18:32,098 --> 00:18:33,233
COME ON NOW.

440
00:18:35,368 --> 00:18:37,037
( Clears throat )

441
00:18:38,338 --> 00:18:40,907
LOOK, THE ONLY REASON
I WENT TO YOUR BOSS

442
00:18:40,974 --> 00:18:43,309
IS BECAUSE I FELT
PARTLY RESPONSIBLE.

443
00:18:43,376 --> 00:18:45,311
WELL, I APPRECIATE
YOUR INTENTIONS

444
00:18:45,378 --> 00:18:46,613
JUST NOT YOUR METHOD.

445
00:18:46,680 --> 00:18:48,081
I DON'T FEEL COMFORTABLE

446
00:18:48,148 --> 00:18:49,983
HAVING SOMEONE SPEAK UP FOR ME.

447
00:18:50,050 --> 00:18:51,918
LIKE YOU DID FOR
ME AT THAT PARTY?

448
00:18:51,985 --> 00:18:53,386
AH, TOUCHE.

449
00:18:53,453 --> 00:18:55,889
I MEAN, I SAW MY
PARENTS GET SUCKED IN

450
00:18:55,956 --> 00:18:57,691
BY BOURGIE PEOPLE LIKE THAT.

451
00:18:57,758 --> 00:18:59,893
I DON'T WANT TO
WAKE UP ONE MORNING

452
00:18:59,960 --> 00:19:02,002
AND DISCOVER THAT I'M
SKIPPING SURGERY

453
00:19:02,068 --> 00:19:04,838
TO GO OFF SKEET SHOOTING
OFF THE BACK OF MY YACHT.

454
00:19:04,905 --> 00:19:07,107
WITH YOUR AIM, YOU
COULDN'T HIT THE OCEAN.

455
00:19:07,173 --> 00:19:08,509
( Chuckles )

456
00:19:08,575 --> 00:19:10,744
JUST BECAUSE YOU DON'T
WANT TO BE LIKE THEM

457
00:19:10,811 --> 00:19:12,646
DOESN'T MEAN YOU
CAN'T TAKE ADVANTAGE

458
00:19:12,713 --> 00:19:13,747
OF WHAT THEY'VE GOT.

459
00:19:13,814 --> 00:19:15,415
MAYBE YOU'VE GOT A POINT.

460
00:19:15,481 --> 00:19:17,851
BUT YOU CAN'T TELL ME
YOU WOULDN'T HAVE DONE

461
00:19:17,918 --> 00:19:20,153
THE SAME THING I DID
UP AT THAT PODIUM.

462
00:19:20,220 --> 00:19:21,321
ABSOLUTELY NOT.

463
00:19:21,387 --> 00:19:23,156
I WOULD HAVE DONE
WITH THAT AWARD

464
00:19:23,223 --> 00:19:25,091
WHAT YOU TOLD THEM
TO DO WITH IT.

465
00:19:26,693 --> 00:19:29,295
IT HAS BEEN A WHILE SINCE
SOMEBODY PISSED ME OFF

466
00:19:29,362 --> 00:19:30,463
THE WAY YOU DO.

467
00:19:30,531 --> 00:19:32,232
I LIKE YOU TOO.

468
00:19:35,602 --> 00:19:36,903
UH‐UH. GET UP, MOVE.

469
00:19:36,970 --> 00:19:38,338
GET OUT OF THE CHAIR.

470
00:19:38,404 --> 00:19:39,573
I NEED THIS CHAIR.

471
00:19:39,640 --> 00:19:41,174
GET UP, GET UP, GET UP.

472
00:19:41,241 --> 00:19:43,610
THE SHARKS MADE
SHORT WORK OF HER.

473
00:19:43,677 --> 00:19:46,747
THEY STUCK HER WITH A
FOUR‐FIGURE LUNCH TAB

474
00:19:46,813 --> 00:19:48,549
AT THE RUSSIAN TEA ROOM.

475
00:19:48,615 --> 00:19:51,084
MAN, I WAS DRAGGED
INTO THE KITCHEN

476
00:19:51,151 --> 00:19:54,220
AND THEN I WAS MADE TO
SCRUB POTS AND PANS.

477
00:19:54,287 --> 00:19:56,623
HEY, DOES THIS THING HAVE TURBO?

478
00:19:56,690 --> 00:19:58,625
LUCKILY, WHEN SHE PHONED <i>FLAVOR</i>

479
00:19:58,692 --> 00:20:00,627
I WAS STILL DILIGENTLY WORKING.

480
00:20:00,694 --> 00:20:03,937
I RUSHED OVER AND FOUND HER
CLEAVAGE‐DEEP IN SUDS.

481
00:20:05,371 --> 00:20:06,773
SO, I PULLED SOME STRINGS

482
00:20:06,840 --> 00:20:08,975
WITH MY FRIEND BORIS,
THE MAITRE D'.

483
00:20:09,042 --> 00:20:10,043
THE WAY I SEE IT

484
00:20:10,110 --> 00:20:12,278
SHE'LL BE IN DEBT
TO ME FOR YEARS.

485
00:20:13,313 --> 00:20:17,083
OOH, LET ME WATCH YOU
FOR FIVE MINUTES

486
00:20:17,150 --> 00:20:19,520
AND WE'LL CALL IT EVEN.

487
00:20:19,586 --> 00:20:22,723
LORD, SHAKE YOUR SHIMMY, NOW.

488
00:20:22,789 --> 00:20:24,758
WE'LL BE RIGHT BACK.

489
00:20:28,105 --> 00:20:29,105
HA‐HA. HA‐HA.

490
00:20:29,129 --> 00:20:30,230
I GET THE CHAIR FIRST.

491
00:20:30,296 --> 00:20:31,732
I BEAT YOU BOTH. WHOO!

492
00:20:32,198 --> 00:20:33,634
THOUGHT YOU HAD HER, SHORTY

493
00:20:33,700 --> 00:20:36,236
TILL SHE HIP‐CHECKED
YOU INTO THE GARBAGE.

494
00:20:36,302 --> 00:20:37,470
( Chuckles )

495
00:20:37,538 --> 00:20:38,639
OH!

496
00:20:39,973 --> 00:20:42,576
ALL RIGHT, COME ON, OBIE.

497
00:20:42,643 --> 00:20:44,110
HIT ME OFF.

498
00:20:44,177 --> 00:20:47,380
LET'S GO FOR A LITTLE RIDE.

499
00:20:47,447 --> 00:20:50,584
COME ON NOW, STOP TEASING.

500
00:20:50,651 --> 00:20:51,752
HIT ME OFF.

501
00:20:51,818 --> 00:20:53,253
HIT ME OFF, MAN.

502
00:20:53,319 --> 00:20:56,389
LET'S GET IT GOING ON. COME ON.

503
00:20:56,456 --> 00:20:57,724
I WISH I WERE, BABY

504
00:20:57,791 --> 00:20:59,760
BUT THE CHAIR'S NOT WORKING.

505
00:20:59,826 --> 00:21:01,067
IT'S WORKING, ALL RIGHT.

506
00:21:01,134 --> 00:21:02,803
( Gasps )

507
00:21:02,869 --> 00:21:04,738
EXCEPT YOU HAVE TO PUT A TOKEN

508
00:21:04,805 --> 00:21:06,873
ON THAT BIG OLD BOX ON THE SIDE.

509
00:21:08,274 --> 00:21:10,711
THEY'RE A BUCK APIECE.

510
00:21:10,777 --> 00:21:12,813
NO SNAPS, NO HAPS.

511
00:21:12,879 --> 00:21:14,447
NO, NO, NO.

512
00:21:14,515 --> 00:21:18,084
YOU WILL NOT EXTORT ONE
THIN DIME FROM ME, WOMAN.

513
00:21:18,151 --> 00:21:20,554
YOU AND THAT CHAIR‐‐
Y'ALL CAN GO TO HELL.

514
00:21:21,287 --> 00:21:23,256
SUIT YOURSELF.

515
00:21:23,323 --> 00:21:26,426
I GUESS YOU'LL JUST BE
RUBBING YOUR BACK UP

516
00:21:26,492 --> 00:21:28,094
AGAINST THE DOORKNOB.

517
00:21:30,130 --> 00:21:31,898
I'M DOWN FOR FIVE.

518
00:21:31,965 --> 00:21:33,066
GIVE ME 20.

519
00:21:33,133 --> 00:21:34,300
UM... UM...

520
00:21:34,367 --> 00:21:37,103
DO YOU TAKE A. T. M. CARDS?

521
00:21:39,072 --> 00:21:43,076
[Captioned by The Caption Center
WGBH Educational Foundation]

522
00:22:08,675 --> 00:22:11,545
WHOO‐HOO!